Van Gogh Post-Impressionism

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Before / after

Fictional portrait: Van Gogh Post-Impressionism — Style

PROMPT_CONSOLE

Ready-to-use prompt

English

Transform the attached photo into a Van Gogh-inspired post-Impressionist oil painting with forceful impasto. Build the waist-up figure from thick directional strokes, repeated dark contours, carved planes, rhythmic hair ribbons, loaded paint ridges, cobalt blue, ultramarine, chrome yellow, ochre and golden side light. Replace the casual smile with an intense closed-mouth gaze natural to the painting. Keep her recognizable through face shape, long black hair and floral-dress rhythms, but repaint the entire figure—face, eyes and skin included—with the same swirling and directional brush vocabulary as the background; no photographic skin or pasted-on realistic face. Bend the street, lanterns and sea into swirling bands. Output vertical 2:3 with no text, frame, signature or watermark.

Add modifiersOptional

Framing

Camera Angle

Special Views

Era

Negative prompt

photographic face, pasted-on realistic face, thin delicate washes, smooth photographic gradients, muted neutral palette, static straight background, polished digital skin, invisible brush texture, pastel softness, text, signature, watermark

Parameters

--ar 2:3 --stylize 600 --chaos 5

If facial features dissolve, lower stylization and keep impasto strongest in hair and background.

Works well with

GPTGEMMJSDFLX

Prompt difficulty

Some tuning

DOC.01What defines this style

Cobalt and yellow impasto make every contour pulse.

Van Gogh's post-Impressionist language turns observed form into directional rhythm through loaded paint, repeated contours and emotionally heightened complementary color. Portrait and setting share the same moving surface, creating intensity without requiring realistic light.

Use it for

Expressive wall art
Cultural event posters
Bold profile portraits

Practical notes

Use Flux with high face reference and a separate style strength for the moving background.
In Stable Diffusion, inpaint eyes with smaller strokes instead of smoothing the whole face.
Preserve yellow-blue separation when color grading; muddy green weakens the effect.

Before / after

Cobalt and yellow impasto make every contour pulse.

Use it for

Practical notes

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